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What does MG2183 mean ?
MG2183 stands for MG "Insolite Depuis 2183" — or in other words, "Unexpected since 2183."
MG are the designer’s initials, but 2183? That’s not a typo. That’s the year she started the brand — yes, in the future.
Marlène comes from a timeline where fashion is fearless, waste is obsolete, and every garment tells a story across dimensions. She rescues clothes from the past and reimagines them through a lens of what’s to come. In her world, time doesn’t move in a straight line — it loops, stitches, unravels, and reassembles.
Because at MG2183, the future is already woven in.
Bienvenue chez MG 2183
Who’s Behind MG2183?
MG are the initials of Marlène Giacomazzo — designer, upcycling wizard, and vintage-hunting ninja. She’s the creative force behind MG2183, where forgotten garments get a second (and way cooler) life.
A Paris-trained fashion designer and pattern-making perfectionist, Marlène has a serious background in precision and an even more serious love for drama… sartorially speaking. Her past life in style editorials and visual storytelling sharpened her eye for luxe fabrics, impeccable fits, and that chef’s kiss level of detail.
3 Facts That Make the Divine Path Even More Legendary
- Born on Her Mother’s Birthday — Because of course she was. And her mother? A badass seamstress and “pantalonière” (yes, that’s a thing — and yes, it’s as cool as it sounds). Talent clearly runs in the thread.
- Sewn Into Destiny — When Marlène was born, her Sicilian grandmother literally pinned a threaded sewing needle onto her newborn blanket — a blessing for mastering the sacred arts of womanhood: lace-making, crochet, knitting, and the subtle magic of transformation.
- The Achilles Needle — At age 5, she stepped on a rogue sewing needle and broke it into her heel. A military doctor had to remove it without anesthesia. Unlike Achilles, that needle didn’t become her weakness — it gave her superpowers (and a lifelong respect for floor inspection).
MG2183: Proof that fashion and fate are sometimes cut from the same cloth.
For Marlène, upcycling is part logistics, part divine intervention. It’s a sacred little dance between piles of hoarded fabrics and the poetry of perfect timing. One moment she’s lost in a sea of forgotten textiles, the next — boom — the exact piece she needs shows up, like it always knew it belonged.
Some might call it coincidence. She calls it cosmic curation. Because when a garment comes together like that — the fabric, the fit, the feeling — it doesn’t just look good. It feels like the universe whispered, “This one’s yours.”